Steele Gallery
July 12 - September 20, 2009
"....provocative, fanciful, stunning....." LA Times
This is the first comprehensive consideration of the legacy of Chicano art in two decades and the largest exhibition of cutting-edge Chicano art ever presented at Phoenix Art Museum.
In 1981, artist and cultural commentator Harry Gamboa Jr. described Chicanos as constituting a “phantom culture” within American society – largely unperceived, unrecognized and uncredited by the mainstream. Chicano art offered a counterpoint with work that stressed ethnic pride and political empowerment for Mexican Americans.
From soft sculpture full-size cars made from colorful vinyl to photographs of a break dancing performance on a flat floor sculpture by Minimalist artist Carl Andre, Phantom Sightings explores the experimental tendencies of a younger generation of contemporary American artists with cultural ties to Mexico and Latin America. The works included in the exhibition are orientated less toward traditional media such as painting and sculpture, and more toward conceptual art, performance, photography, media-based art and “stealthy” artistic interventions in urban spaces.
Phantom Sightings explores the ways in which the 32 artists included in the exhibition situate their work at the crossroads of local struggles over urban space, transnational flows of culture and global art practices. Some artists’ work functions as an intervention that “haunts” public space, other artists, whose work is more studio based, repurpose and transform familiar objects or artistic styles into new ones.
Phantom Sightings features 120 works in a large variety of media, many of which were commissioned for the show.
Exhibition highlights include:
Photographs of the 1970s artist collective ASCO – named after the Spanish word for nausea – that used street theater and performances to critique the narrowly defined forms of Chicano art and push the movements to address broader issues.
Adrian Esparza’s One and the Same illustrates the duality of the work of these artists. He uses the unraveled yarn from a serape blanket – a Mexican icon– to create a geometric design that recalls the Minimalist drawings of Sol Lewitt – a contemporary art icon.
Margarita Cabrera’s Vocho – a full scale, hand-sewn fabric VW bug – references the economical car popular in Mexico. The artist’s labor mischievously parallels that of the factory workers and underlines the complex political and economic issues of migrant labor.
Phantom Sightings will be complimented by an installation of Arizona artists, working locally, who deal with similar themes and issues.
|
|
|
|
|
|
|
|
|
|
|
Related Events
Lectures & Talks
Spray Paint Curating: On Bringing Phantoms into the Museum,
August 5, 7pm
Meet the Artist: Claudio Dicochea,
July 15, 7pm
Film
Harry Gamboa Jr.: 1990s Video Art,
July 18, 1pm
Early Chicano-Art Documentaries,
August 9, 1pm
Please, Don’t Bury Me Alive!, August 30, 1pm
Frontierland, September 20, 1pm
Demos and Discussions
Drop-In Studio: Printmaking,
July 22, 6:30 – 8:30pm
For Kids
Phantom Sightings Fiesta, August 22, Noon to 4pm
Under 21
Making an Identity,
August 12, 6:30pm
The exhibition is organized by LACMA in conjunction with the Chicano Studies Research Center (CSRC) at the University of California, Los Angeles. The exhibition is accompanied by a 240-page catalogue featuring principal essays by the exhibition’s three curators, individual artist entries and a quasi-satiric “alternative” chronology of Chicano history by exhibition artist Ruben Ortiz-Torress and filmmaker Jim Mendiola.
Major support provided by APS and the Museum's Contemporary Forum.
Left: Tropical Baby (Self-Portrait), Carolyn Castano, 2006, Mixed media on canvas, courtesy of the artist and Kontainer Gallery, Los Angeles. Center: Vocho (Yellow), Margarita Cabera, 2004, Vinyl, batting thread and car parts. Wool. William J. Hokin Collection, Chicago. Photo courtesy of Sara Meltzer Gallery. Right: Untitled from the series Stage Set For A Riot, 2006, Ash and graphite on paper, The Capital Group, Los Angeles. Photo courtesy of Acuna Hansen Gallery, Los Angeles.